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      <image:caption>photo by Stephanie Berger</image:caption>
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    <lastmod>2020-08-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f30398f103c7a088563cc0b/1598228238410-HYNGOQBDCTTW7KA1HXSD/LACO+headshot.jpeg</image:loc>
      <image:title>Samuel Zagnit</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.bassplayersforblackcomposers.com/rebecca-lawrence</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-08-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f30398f103c7a088563cc0b/1598229715897-BB3YEXBUO3ZXTM6EBHFF/DSC_0608.jpeg</image:loc>
      <image:title>Rebecca Lawrence</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.bassplayersforblackcomposers.com/daniel-murray</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-10-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f30398f103c7a088563cc0b/1598226968469-PQGX55QMCDY9E4L3837V/DanielMurray-29.jpg</image:loc>
      <image:title>Daniel Murray</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.bassplayersforblackcomposers.com/nickdunston</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-08-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f30398f103c7a088563cc0b/1598225404594-CJ5O0N1T311KS2O8ZCFP/nick+dunston+headshot.JPG</image:loc>
      <image:title>Nick Dunston - Nick Dunston</image:title>
      <image:caption>Nick is a Brooklyn-based composer, bassist, and scholar. The New York Times describes him as an “indispensable player on the New York avant-garde", and his performances have spanned a variety of venues and festivals across North America and Europe. He's worked with bands led by artists such as Marc Ribot, Tyshawn Sorey, Amirtha Kidambi, Ches Smith, Imani Uzuri, Ingrid Laubrock, and Anna Webber. In 2019 he was awarded the Van Lier Fellowship by Roulette Intermedium, which supported the world premieres of The Floor is Lava! and La Operación, referred to as “a work so dramatic and large that is both a response to socio-historical truth as well as a reflection on his own identity…” (I Care If You Listen). In 2019 he released his debut album, Atlantic Extraction, which “features the unusual instrumentation of double bass, drums, electric guitar, flute, [and violin]- and his compositions put that configuration to imaginative use” (The Wire). His work for bass, 'Mulch Awareness Month' was premiered in its first iteration on June 16th, 2020 in Brooklyn, New York, and July 30th at MISE_EN PLACE in its final workshopped form.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.bassplayersforblackcomposers.com/sarian-sankoh</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-08-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f30398f103c7a088563cc0b/1598225148436-VLO3B1ZAZPR5NCVU4SYZ/IMG_3133.jpg</image:loc>
      <image:title>Sarian Sankoh</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.bassplayersforblackcomposers.com/tyson-j-davis</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-09-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f30398f103c7a088563cc0b/1599687065121-IHGCWI4MSVO65X6NQOV9/Image.jpeg</image:loc>
      <image:title>Tyson J. Davis</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.bassplayersforblackcomposers.com/camellia-aftahi</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-01-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f30398f103c7a088563cc0b/1601046616207-FGLI1P7QZ2FS898N9MOY/IMG_8975.JPG</image:loc>
      <image:title>Camellia Aftahi</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.bassplayersforblackcomposers.com/byron-crenshaw</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-10-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f30398f103c7a088563cc0b/1603913182782-FBJ494OHPAIM332JGIS3/image3.jpeg</image:loc>
      <image:title>Byron Crenshaw</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.bassplayersforblackcomposers.com/supportus</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-12-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f30398f103c7a088563cc0b/1606348385690-DS959Y7FXRCV232V6HHM/Screen+Shot+2020-11-25+at+6.51.19+PM.png</image:loc>
      <image:title>Support Us</image:title>
      <image:caption>Post-Concert #4 Hangout with composers Tyson Davis and Clifton Joey Guidry III, and Performers Camellia Aftahi and Sam Zagnit.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f30398f103c7a088563cc0b/1606958184379-01631TZSHX43G30N0Q97/Screen+Shot+2020-11-25+at+8.11.14+PM.png</image:loc>
      <image:title>Support Us</image:title>
      <image:caption>#Workshop 10/30/20 Featuring Artist In Residence Mason Bynes and composer Byron Crenshaw</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f30398f103c7a088563cc0b/1606348670912-TFYMS7CZL7OU81O6I4PG/Screen+Shot+2020-11-25+at+6.47.05+PM.png</image:loc>
      <image:title>Support Us</image:title>
      <image:caption>Post-Concert #3 Hangout with Composers Mason Bynes, Sarian Sankoh, Clifton Joey Guidry III, and Darian Donovan Thomas, and Performers Kebra-Seyoun Charles, Rebecca Lawrence, Ross Wightman and Daniel Murray.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.bassplayersforblackcomposers.com/maggie-cox</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f30398f103c7a088563cc0b/1611286871986-HW3GXPCVQKHO7UBDIP28/headshot.jpg</image:loc>
      <image:title>Maggie Cox</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.bassplayersforblackcomposers.com/sophia-bass</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-06-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f30398f103c7a088563cc0b/1624799768472-AL5YAKW1Z9FDYBY1CJCE/Bass%2CSophia+-+Headshot.jpeg</image:loc>
      <image:title>Sophia Bass - Sophia J Bass</image:title>
      <image:caption>Sophia Bass is a 2020 graduate of Oberlin College and has experience writing film and chamber music.  In 2017, Bass was hired to compose the soundtrack to a graduate thesis film from Chapman University's Dodge College of Film and Media Arts. She pioneered the biggest film scoring project, and the only one of its kind, in the history of Oberlin College and Conservatory by recruiting a 45-member orchestra to conduct a live recording of her 22-minute soundtrack.  She is a two-time alumna of the Palomar Film Music Workshop where she was mentored by Hollywood film composers Roger Neill and Larry Groupé.  In 2019, Bass took on professional work collaborating with film director, Carl Kriss, who had worked as editor with National Geographic, the History Channel and Amazon, to compose the soundtrack for his latest documentary Bring It Home. In 2020, prominent Israeli-American cellist, Inbal Segev, commissioned Bass as one of twenty hand-selected composers, to write a piece for her latest album "20 for 2020".  Volume No. 1 of the album, featuring Bass's piece "Taal-Naad Naman", was publicly released on June 25th, 2021 and is currently available on all public music platforms.  Most recently, Bass was commissioned by the Bass Players for Black Composers (BPBC) organization to compose a full-length, solo work for Double Bass. Bass' collaboration with double bassist Michael Martin and BPBC culminated in a public workshop, live interview and performance of her piece, which will be premiered by Martin on June 26th, 2021.  At Oberlin, Bass worked as the Assistant Conductor to the visiting Music Director and Principal Conductor of the Michigan Philharmonic, Nan Harrison Washburn.  As a current Fulbright-Nehru grant recipient, Bass serves in the capacity of an ambassador and will conduct her research in Karnataka, India, under the combined guidance of internationally-renowned musicians, Dr. Mysore Manjunath and Pt. Udayaraj Karpur.  Having to postpone her Fulbright for one year as a result of Covid-19, she is temporarily conducting her Fulbright studies virtually and currently studies Hindustani classical music and tabla performance with Pt. Udayaraj Karpur.   In Fall 2022, Bass will attend the Royal College of Music in London to pursue a two-year master’s degree in Composition for Screen.  Her plans after graduating from the RCM include a continuation of her work in composition, potentially as a composer’s intern, and her ethnomusicological research.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.bassplayersforblackcomposers.com/amyra-leon</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-06-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f30398f103c7a088563cc0b/1624800038107-ZZV9BUG6KB8XON5IIK8T/amyra+headshot.jpg</image:loc>
      <image:title>Amyra Leon - Amyra</image:title>
      <image:caption>AMYRA is a musician, author, director, &amp; activist. Her work transcends genre and medium focusing on Black liberation, politics, and communal healing. Her aim is to empower communities to believe in the significance of their individual stories.  2020 was a huge year of releases for Amyra resulting in the arrival of her debut album WITNESS, the PBS American Masters: In the Making documentary featuring Amyra’s life and creative process, and her first two books -  Concrete Kids (Penguin Random House) and Freedom, We Sing (Flying Eye Books) hit shelves to great acclaim throughout the United States and United Kingdom.   Amyra composed Una Mujer Derramada in collaboration with Sivan Eldar commissioned by and performed with Lisbon's Gulbenkian Orchestra, the Montpellier National Opera, and the Paris Chamber Orchestra. Amyra was honored to perform the composition as the sole vocalist with all three orchestras. She is the inaugural recipient of the Battersea Arts Centre Phoenix Award which led to the 2019 London premiere of her debut play VASELINE, co-commissioned by Arts Council England.  Amyra currently splits her time between New York and London.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.bassplayersforblackcomposers.com/michael-martin</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-06-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f30398f103c7a088563cc0b/1624800792818-EKEYJVH260QQF2VEKFVJ/michael+martin+headshot.jpeg</image:loc>
      <image:title>Michael Martin - Michael Martin</image:title>
      <image:caption>Michael Martin is a second year double bass fellow in the New World Symphony from Allentown, Pennsylvania. Formerly, he was a Diversity Fellow with the Cincinnati Symphony, and an Associate Member of the Civic Orchestra of Chicago. He holds degrees from Northwestern University and Oberlin Conservatory of Music in double bass performance. Michael lives in Miami Beach, Florida, with his girlfriend Rose, their tuxedo cat named “Tofu”, and an ever-growing collection of houseplants. Michael began his study of the double bass with Suzuki teacher Domenick Fiore in early high school, and quickly discovered a deep love of the double bass in all its musical capacities. He has studied with renowned bass professors Tracy Rowell, Andrew Raciti, Owen Lee, and Alexander Hanna. Throughout his undergraduate and graduate degrees, Michael developed a passion for string pedagogy, and has taught private and group lessons at the Cleveland Institute of Music’s preparatory program, as well as lessons and ensemble coachings at Cleveland Heights High School. As part of his graduate degree, he studied string pedagogy with the legendary cello pedagogues Hans Jørgen Jensen and Cornelia Watkins-Dyer. In addition to orchestral playing, Michael found an appreciation of contemporary music in his time at Oberlin Conservatory, and can be heard on the album Songtree performing the music of Ricardo Zohn Muldoon alongside faculty of the Eastman School. Michael is also the subject of an episode of the Slate podcast How To! by Charles Duhigg on peak performance. He is also the creator of Black Reflections, a three-part panel discussion series on racial justice in music, featuring Black luminaries of classical music and jazz such as Chi-chi Nwanoku, Christian McBride, and Dr. Tammy Kernodle. Michael plays a modern instrument made for him in 2019 by Christopher Savino, and a bow by acclaimed Utahn bow maker Robert Dow.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.bassplayersforblackcomposers.com/aaron-liao</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-06-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f30398f103c7a088563cc0b/1624801037831-SIQOLYPLRUTQ386Y8NVK/Aaron+Liao+Headshot.jpeg</image:loc>
      <image:title>Aaron Liao - Aaron Liao</image:title>
      <image:caption>Veteran bassist, composer and bandleader Aaron Liao fuses contemporary R&amp;B and alternative rock influences with a classical and jazz pedigree. Beginning as a session player and artist in various musical outfits, Liao has since become an in-demand songwriter-producer for others, including rising soul-R&amp;B upstarts Raveena and Sid Sriram. He’s also an integral part of Moses Sumney’s live band. Notably he co-wrote and tracked bass for Raveena’s 2018 and 2019 releases “Shanti” and “Lucid,” which have garnered over 100 million plays worldwide and praise from NPR, The FADER, and NYMag’s The Cut. He joined the R&amp;B singer on her 2019 U.S. tour, and for headlining sets at the Java Jazz Festival in Indonesia and on NPR’s Tiny Desk series. Liao graduated from Berklee College of Music in 2013 on full scholarship. Previously he served as musical director for the headlining acts at Boston's Beantown Jazz Festival -- Meshell Ndegeocello in 2013, and Sheila E in 2014. He has performed in the U.K., Canada, Germany, Norway, Indonesia, India, Taiwan, Japan, and at some of the most iconic venues in the U.S., including the Kennedy Center, alongside Grammy winner Terri Lyne Carrington at the Mary Lou Williams Jazz Festival in 2016, and Denver’s panoramic Red Rocks Amphitheatre alongside Victoria Canal in 2019. Liao is currently based in Los Angeles.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.bassplayersforblackcomposers.com/new-page-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-08-25</lastmod>
  </url>
  <url>
    <loc>https://www.bassplayersforblackcomposers.com/media-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-12-30</lastmod>
  </url>
  <url>
    <loc>https://www.bassplayersforblackcomposers.com/melika-fitzhugh</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-05-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f30398f103c7a088563cc0b/26ad172d-419a-4e3d-9d01-5da39cd09ddc/mel+fitzhugh+headshot.jpeg</image:loc>
      <image:title>Melika Fitzhugh - Melika Fitzhugh</image:title>
      <image:caption>A native of Stafford, Virginia, Melika M. Fitzhugh (A.B. Harvard-Radcliffe, M.M. Longy School of Music of Bard College) studied conducting and composition with Thomas G. Everett,Beverly Taylor, James Yannatos, Julian Pellicano, Roger Marsh, Jeff Stadelman, and, most recently, John Howell Morrison and Osnat Netzer. Mel's compositions have been performed internationally by the PHACE Ensemble (Austria), Quarteto Larianna (Brazil), the Brouwer Trio(Spain), Sarah Jeffery (Nederland, Sweden), Sylvia Hinz (Germany), the Radcliffe ChoralSociety (US), Berit Strong (US), John Tyson (US), Miyuki Tsurutani (Japan/US), and Aldo Abreu (Venezuela/US).Mel wasa 2021Bang on a Can Fellow,the 2020 winner ofthe PatsyLu Prize for IAWM’sSearch for New Music, the 2014 winner of the Longy orchestral composition competition, and has performed with the Radcliffe Choral Society, Coro Allegro, the Harvard Wind Ensemble, the Village Circle Band, and WACSAC. The artist, who has composed music for film and stage,was a member of Just In Time Composers and Players and is currently a member of world/early music ensembles Quilisma Consort andUrban Myth, in addition to playing bass guitar with symphonic metal/progressive band Illusion’s End, the ambient rock band RoseCabal and the Balkan folk dance bandBalkan Fields. 1 of 1</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.bassplayersforblackcomposers.com/scores</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-12-04</lastmod>
  </url>
  <url>
    <loc>https://www.bassplayersforblackcomposers.com/scores/graphic-score</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-07-07</lastmod>
  </url>
  <url>
    <loc>https://www.bassplayersforblackcomposers.com/scores/commission</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-06-27</lastmod>
  </url>
  <url>
    <loc>https://www.bassplayersforblackcomposers.com/scores/revision</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-30</lastmod>
  </url>
  <url>
    <loc>https://www.bassplayersforblackcomposers.com/scores/p/sankoh-everythingfeelsthesame</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f30398f103c7a088563cc0b/1600739057029-EUTAZTKXF05Z4G5N0KA2/everythingfeelsthesame_TitlePage.jpg</image:loc>
      <image:title>Scores - Sankoh - everythingfeelsthesame</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f30398f103c7a088563cc0b/1600739073698-8UT8QEFZWMAC4AONY4DA/everythingfeelsthesame+%28final%29+THUMBNAIL.jpg</image:loc>
      <image:title>Scores - Sankoh - everythingfeelsthesame</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.bassplayersforblackcomposers.com/scores/p/lancaster-winddown2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f30398f103c7a088563cc0b/1601043667480-62C88DHSC5GGCSG875Q8/lancaster+-+wind_down_2+%28first+draft%29+%28dragged%29.jpg</image:loc>
      <image:title>Scores - Lancaster - wind_down_2</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.bassplayersforblackcomposers.com/scores/p/davis-tableau-no-v</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f30398f103c7a088563cc0b/1603912554837-TUOXLRB2RX8M3WRSNEVS/Tableau+title.png</image:loc>
      <image:title>Scores - Davis - Tableau No. V</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f30398f103c7a088563cc0b/1601040908061-2YFY1DPCXZLYYWAMYH3X/davis+-+TABLEAU+NO+V+-+cover+page.png</image:loc>
      <image:title>Scores - Davis - Tableau No. V</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.bassplayersforblackcomposers.com/scores/p/dunston-mulch-awareness-month</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f30398f103c7a088563cc0b/1601044588141-H7E2J9OJO6XIRHH8PSBQ/Mulch+Awareness+Month+Full+Score+3+%28THUMBNAIL%29.jpg</image:loc>
      <image:title>Scores - Dunston - Mulch Awareness Month</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.bassplayersforblackcomposers.com/scores/p/bynes-the-wreckoning</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f30398f103c7a088563cc0b/1601040706557-S6DBVS91V3W4D1Y1TVEM/_%5BWreck%5Doning+%28final+edit%29++COVER+PAGE.png</image:loc>
      <image:title>Scores - Bynes - The [WRECK]oning</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f30398f103c7a088563cc0b/1601040717957-BIS3GILU2Q4IAQ75L0HG/_%5BWreck%5Doning+%28final+edit%29++-+sample+.png</image:loc>
      <image:title>Scores - Bynes - The [WRECK]oning</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.bassplayersforblackcomposers.com/scores/p/thomas-a-disintegrating-foundation-under-a-catastrophe-of-air</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f30398f103c7a088563cc0b/1601041990621-U7YVB3UWKSSDN1XTNRT1/A+disintegrating+Foundation+Under+a+Catastrophe+of+Air+-+cover+page.png</image:loc>
      <image:title>Scores - Thomas - A Disintegrating Foundation Under a Catastrophe of Air</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f30398f103c7a088563cc0b/1601042013566-U3TZSO4W8KZ4S814CV4J/A+disintegrating+Foundation+Under+a+Catastrophe+of+Air+-+sample.png</image:loc>
      <image:title>Scores - Thomas - A Disintegrating Foundation Under a Catastrophe of Air</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.bassplayersforblackcomposers.com/scores/p/crenshaw-yung-perseverent-spirit</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f30398f103c7a088563cc0b/1607125513431-GYWJ16H27UUZX5DTDTT7/yung+perseverent+spirit+title+page.png</image:loc>
      <image:title>Scores - Crenshaw - yung perseverent spirit</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.bassplayersforblackcomposers.com/scores/p/j4nuaaynyrg16tmylvo9wdctfm8at6</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-06-27</lastmod>
    <image:image>
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      <image:title>Scores - Bass - Alaap in Raag Des</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f30398f103c7a088563cc0b/1624802341293-0GNDE48JHRIT9RG0I1FS/Bass+-+Alaap+in+Raag+Des_Double+Bass_sample+page.png</image:loc>
      <image:title>Scores - Bass - Alaap in Raag Des</image:title>
    </image:image>
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  <url>
    <loc>https://www.bassplayersforblackcomposers.com/scores/p/s81dpy95wt81lsfi9s7rnpn6flsbty</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-07-11</lastmod>
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      <image:title>Scores - Wallace - Density</image:title>
    </image:image>
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